






WHEN I began this little trek of mine, the sound editing process involved a sharp razor blade, a splicing block, and a masochistic obsession with cutting up magnetic tape. As digital audio technology began to break over the horizon, I embraced that as a revolution in the making. Never looked back, although I do still have my old splicing block.
Somewhere.
Another portion of my backgound involved print layout, sketching, drawing, painting, and freehand lettering: Print edits and layout done by carving up photos and typed copy with an X-Acto knife . That was supplanted, again, by digital. Hurrah, one more time.
And then there's about mumblety-mumble years' worth of shooting photos... from developing my own black-and-white film and making darkroom-generated photographic prints and enlargements right through that timewarp into the digital domain. I still regard digital photography and its associated spinoffs as a major miracle.
I guess what I'm saying is that I still enjoy trying the un-tried, learning the new things, re-learning the old, and beating myself on the forehead all in the pursuit of a quality product. It will be clean, effective, and crafted to the best of my ability no matter how long it takes or how many revisions are needed.
That's my style. And if that's what you want, give me a call. Your operator is standing by!

